p*51*
 

?#r©et
 

- 2Z -
 

(Msjlis sclj|*i Cixspt#r 2)
 


 

J id
 

J#h-8 ^wal h^y f/rryf tii'Ji-i >~i
 

y4*is®t

f®h
l^ig^ari
 

to ^utttr

h^mt^Tf frnl^v^. bird-©ateh©r

»i#ti    l^M,,.MM& ^ ^® first iii#it

©aptiw^j. being eapttir#d
 

(tha poet ©oiBpai'^a his auff©rings iii loTt to thos® of a bird in a cage?
thifi is a o^^soa i®Eg«>      !Hi« veri® htr© ^#rve© t© introduce tlmrio^s
fj;p®ri®n®®.s at t^.© outset of h©r &bdu©tion faron. h©^,)
 

hs«-h9gi
j^rfc® dam t^.
hayr^t

h®y h®y

dsffi i^k®3jm
b@ada

a®ssa (fam,)

t#skSji

hoti
oil

ksirm
ah

J@h®iju«^ii
 

w^nfessss h6lplsssB#sg (from h££ 'power')
'until ^ dying breath^
asag^ssntg woad«r^ surprisa

h*5W

alivt

t© eaomp©

imrd- to illl* tough

breath to &.»pmr% n *t© di,t*

©r»at\ir#

.^^^£^Qy.^a& *Cilavar Khan^ you (wr@t©h#d)

or@^t\5^P^Tvo©ativ®)

puniah^ant (note that X^ws^o sp#ak» of Mjs in- tht

End |©r»oa singular)

eoasolatiosj^ »ati«faoti«m

pieo« of fleahi g©hh«t

MM  (bird)

©row

si#

j^Jhe._.ahjm,.iLt^. ^I wuld not sigh* » »I would
would f#9l BO pity*

hell