Handwritten postcard from Jonas to Schenker, dated September 18 [1934] {recto} [An:] Herrn [/] Dr Heinrich Schenker [postmark:] || BERLIN [illeg] | 18.[illeg] | 40 || [for message-continuation, see below] {verso} Ich bin nun wieder hier gelandet und versuche weiter. Das “wie” ist vorläufig noch eine Frage. Das erste Heft1 soll nun fertig werden – ich bin aber vom 2. Stück (Walzer Form) etwas abgekommen. Wäre nicht vielleicht die a moll Ballade2 angezeigter? Auch der Titel der ganzen Sammlung macht mir noch immer Kopfzerbrechen. Glauben Sie, daß “Tongestalt” geht? War Klemperer3 bei Ihnen? Ich habe ihm noch am selben Tag das Buch zugehen lassen. Furtw.4 dürfte morgen nach Berlin kommen. Von Landshoff5 kam ein langer Brief, worin er sich bedankt, um einen für ihn vielleicht leichteren Zugang zu Sch. gefunden zu haben. –6 Meine Vorträge in Wien sollen am 26 XI und 3 XII stattfinden (event. im Ehrbar Saal7). Ich soll schätzungsweise die Höhe des Schenker Publikums angeben, mit {recto} dem man rechnen kann. Das ist natürlich nicht so einfach. Für heute Ihnen und Ihrer verehrten Frau die allerergebensten Grüße Ihr © Heirs of Oswald Jonas, published here with kind permission. |
Handwritten postcard from Jonas to Schenker, dated September 18 [1934] {recto} [To:] Dr Heinrich Schenker [postmark:] || BERLIN [illeg] | 18.[illeg] | 40 || [for message-continuation, see below] {verso} I have now arrived back here and am pressing on. The “how” is for the time being still a question. The first issue1 should now be ready—but I am having second thoughts about the second piece (waltz-form). Would the A-minor Ballade2 not be more suitable? Also the title of the whole collection is still a puzzle. Do you think that “Tongestalt” would do? Did Klemperer3 visit you? I had the book sent to him on the same day. Furtwängler4 may come to Berlin tomorrow. A long letter from Landshoff5 arrived, in which he expresses thanks at having found an approach to Schenker that is perhaps easier for him.6 My lectures in Vienna are to take place on November 26 and December 3 (possibly in the Ehrbar Salon7). I am supposed to give an approximate estimate of the size of the Schenker-public that can be expected. That, naturally, is not so simple. For today, most respectful greetings to you and your esteemed wife, Yours, © Translation John Rothgeb, 2006. |
COMMENTARY: FOOTNOTES: 1 The first issue of the planned commentary-editions. See OJ 12/18, [31], April 15, 1934. 2 Chopin, Ballade in A minor, Op. 38. 3 Otto Klemperer (1885-1973) [create biogfile and link]. 4 Wilhelm Furtwängler [create biogfile and link]. 5 Ludwig Landshoff (1874–1941), German musicologist (pupil of Friedlaender, Fleischer, and Sandberger) and conductor. He was director of the Munich Bachverein 1918–28, but moved to Berlin thereafter. He produced the series of editions Alte Meister des Bel Canto, also edited music by C. P. E., J. S., and J. C. Bach, and others. He is entioned also in 12/6, [26], December 10, 1933, and 5/18, 34, January 9, 1934. 6 Schenker inserts emdash, then continues writing without paragraph break. 7 Friedrich Ehrbar was a firm of piano makers in Vienna, established 1801. SUMMARY: © Commentary, Footnotes, Summary John Rothgeb, 2006
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