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shauq : 'Desire, yearning, deep longing, ... inclination, affection, love; fancy (for), pleasure (in); taste; ardour, zeal, eagerness, avidity; alacrity, gaiety, cheerfulness; curiosity'. (Platts p.736)
kinaar : 'Side, margin, edge; —adv. Aside; — kinaar , s.f. Embracing, hugging; embrace, bosom'. (Platts p.850)
FWP:
SETS
MOTIFS
NAMES
TERMS == IHAM; METAPHORThe metaphor in the first line is clearly of the beloved as an 'ocean of excellence/beauty'. The grammar of the first line makes it clear that she herself is the one who feels the 'ardor'. But the second line seems as if it would apply to a real ocean: all its 'waves' have turned into 'embraces'. Does an ocean made of ;xuubii have 'waves' in the first place? Does the beloved too, if she is such an ocean, have 'waves'-- which then turn (back?) into embraces? The working-out of the metaphor feels rather awkward and forced.