Goddess, Heroine, Beast: Anna Hyatt Huntington's New York Sculpture, 1902-1936 Goddess, Heroine, Beast: Anna Hyatt Huntington's New York Sculpture, 1902-1936 Multiple Occupancy Common Love, Aesthetics of Becoming Social Forces Visualized: Photography and Scientific Charity, 1900-1920 Edward Koren: The Capricious Line Pictures for Books: Photographs by Thomas Roma Modernism and Iraq The New Acropolis Museum Treasures Rediscovered: Chinese Stone Sculpture from the Sackler Collections at Columbia University Revolutions: A Century of Makonde Masquerade in Mozambique Robert Moses and the Modern City: The Transformation of New York Architecture in Print: Design and Debate in the Soviet Union 1919–1935, Selections from the Collection of Stephen Garmey Guide to Phlamoudhi "Please, teach me..." Rainer Ganahl and the Politics of Learning Restoring Byzantium: The Kariye Camii in Istanbul & the Byzantine Institute Restoration The Troubled Search: The Work of Max Abramovitz Moscow: City, Spectacle, Capital of Photography Reflection: Seven Years in Print—The LeRoy Neiman Center for Print Studies Jean Fautrier, 1898–1964 Paris as Gameboard: Man Ray's Atgets Arte Povera: Selections from the Sonnabend Collection Architect of Dreams: The Theatrical Vision of Joseph Urban Percival Goodman: Architect, Planner, Teacher, Painter Experiments in the Everyday: Allan Kaprow and Robert Watts—Events, Objects, Documents Brushed Voices: Calligraphy in Contemporary China Mastering McKim's Plan: Columbia's First Century on Morningside Heights Robert Motherwell on Paper Apostles in England: Sir James Thornhill and the Legacy of Raphael's Tapestry Cartoons The Old World Builds the New: The Guastavino Company and the Technology of the Catalan Vault, 1885–1962 The Post-Pre-Raphaelite Print: Etching, Illustration, Reproductive Engraving, & Photography in England in and around the 1860s Unfaded Pageant: Edwin Austin Abbey's Shakespearean Subjects Robert Smithson Unearthed: Drawings, Collages, Writings Victorian Pleasures: American Board and Table Games of the Nineteenth Century from the Liman Collection Impossible Picturesqueness Sexual Difference: Both Sides of the Camera
The New Acropolis Museum

The New Acropolis Museum

Ioannis Mylonopoulos, Angelos Chaniotis, et al.
Wallach Art Gallery, 2009
6 x 9", 116 pp. in 3 parts, 146 illus., 141 in color
ISBN 978-1-884919-24-4, Paper, $20

This publication is largely dedicated to the history, the architectural design and the exhibits of the new Acropolis Museum in Athens, which opened its doors to the public in 2009. It is designed by Bernard Tschumi, a faculty member at Columbia's Graduate School of Architecture, Planning, and Preservation.

Tschumi is also an internationally acclaimed architect, having designed numerous large-scale projects, ranging from the Parc de la Villette in Paris to Columbia's own Alfred Lerner Hall. His design for the Acropolis Museum is based around three concepts: light, movement, and program (the edifice's purpose as an exhibit space). The publication features models of the Acropolis Museum, reproductions of Tschumi's drawings, and photographs of the interior of the museum.