Goddess, Heroine, Beast: Anna Hyatt Huntington's New York Sculpture, 1902-1936 Goddess, Heroine, Beast: Anna Hyatt Huntington's New York Sculpture, 1902-1936 Multiple Occupancy Common Love, Aesthetics of Becoming Social Forces Visualized: Photography and Scientific Charity, 1900-1920 Edward Koren: The Capricious Line Pictures for Books: Photographs by Thomas Roma Modernism and Iraq The New Acropolis Museum Treasures Rediscovered: Chinese Stone Sculpture from the Sackler Collections at Columbia University Revolutions: A Century of Makonde Masquerade in Mozambique Robert Moses and the Modern City: The Transformation of New York Architecture in Print: Design and Debate in the Soviet Union 1919–1935, Selections from the Collection of Stephen Garmey Guide to Phlamoudhi "Please, teach me..." Rainer Ganahl and the Politics of Learning Restoring Byzantium: The Kariye Camii in Istanbul & the Byzantine Institute Restoration The Troubled Search: The Work of Max Abramovitz Moscow: City, Spectacle, Capital of Photography Reflection: Seven Years in Print—The LeRoy Neiman Center for Print Studies Jean Fautrier, 1898–1964 Paris as Gameboard: Man Ray's Atgets Arte Povera: Selections from the Sonnabend Collection Architect of Dreams: The Theatrical Vision of Joseph Urban Percival Goodman: Architect, Planner, Teacher, Painter Experiments in the Everyday: Allan Kaprow and Robert Watts—Events, Objects, Documents Brushed Voices: Calligraphy in Contemporary China Mastering McKim's Plan: Columbia's First Century on Morningside Heights Robert Motherwell on Paper Apostles in England: Sir James Thornhill and the Legacy of Raphael's Tapestry Cartoons The Old World Builds the New: The Guastavino Company and the Technology of the Catalan Vault, 1885–1962 The Post-Pre-Raphaelite Print: Etching, Illustration, Reproductive Engraving, & Photography in England in and around the 1860s Unfaded Pageant: Edwin Austin Abbey's Shakespearean Subjects Robert Smithson Unearthed: Drawings, Collages, Writings Victorian Pleasures: American Board and Table Games of the Nineteenth Century from the Liman Collection Impossible Picturesqueness Sexual Difference: Both Sides of the Camera
Robert Motherwell on Paper: Drawings, Prints, Collages

Robert Motherwell on Paper

Edited by David Rosand with essays by David Rosand, Arthur C. Danto, Stephen Addiss, and Marry Ann Caws
Harry N. Abrams Publishers in association with the Wallach Art Gallery, 1997
9 3/8 x 10 3/8; 208 pp.; 169 illus. incl. 101 plates in full color
ISBN: 0-8109-4294-1 (clothbound) | US $ 49.00

The Abstract Expressionist artist Robert Motherwell was best known as a painter, but he also created a remarkable body of works on paper. The drawings, prints, and collages in this book show a more intimate side of his visual sensibility; they reveal the very personal "handwriting" of the artist as he responded to the subtleties of paper, both as a medium and a material. Motherwell was in fact a most extraordinary draftsman, as this volume testifies. Reproduced in color and in a generous format are more than a hundred of the artist's finest works on paper.

The book is published to accompany an exhibition at the Miriam and Ira D. Wallach Art Gallery at Columbia University— an exhibition that was conceived and developed in discussions with the artist during the final year of his life. For this celebration of Motherwell's creative legacy, David Rosand has gathered a distinguished group of contributors. Together, their essays on different aspects of Motherwell's work create a complex picture of a multifaceted artist.