Goddess, Heroine, Beast: Anna Hyatt Huntington's New York Sculpture, 1902-1936 Goddess, Heroine, Beast: Anna Hyatt Huntington's New York Sculpture, 1902-1936 Multiple Occupancy Common Love, Aesthetics of Becoming Social Forces Visualized: Photography and Scientific Charity, 1900-1920 Edward Koren: The Capricious Line Pictures for Books: Photographs by Thomas Roma Modernism and Iraq The New Acropolis Museum Treasures Rediscovered: Chinese Stone Sculpture from the Sackler Collections at Columbia University Revolutions: A Century of Makonde Masquerade in Mozambique Robert Moses and the Modern City: The Transformation of New York Architecture in Print: Design and Debate in the Soviet Union 1919–1935, Selections from the Collection of Stephen Garmey Guide to Phlamoudhi "Please, teach me..." Rainer Ganahl and the Politics of Learning Restoring Byzantium: The Kariye Camii in Istanbul & the Byzantine Institute Restoration The Troubled Search: The Work of Max Abramovitz Moscow: City, Spectacle, Capital of Photography Reflection: Seven Years in Print—The LeRoy Neiman Center for Print Studies Jean Fautrier, 1898–1964 Paris as Gameboard: Man Ray's Atgets Arte Povera: Selections from the Sonnabend Collection Architect of Dreams: The Theatrical Vision of Joseph Urban Percival Goodman: Architect, Planner, Teacher, Painter Experiments in the Everyday: Allan Kaprow and Robert Watts—Events, Objects, Documents Brushed Voices: Calligraphy in Contemporary China Mastering McKim's Plan: Columbia's First Century on Morningside Heights Robert Motherwell on Paper Apostles in England: Sir James Thornhill and the Legacy of Raphael's Tapestry Cartoons The Old World Builds the New: The Guastavino Company and the Technology of the Catalan Vault, 1885–1962 The Post-Pre-Raphaelite Print: Etching, Illustration, Reproductive Engraving, & Photography in England in and around the 1860s Unfaded Pageant: Edwin Austin Abbey's Shakespearean Subjects Robert Smithson Unearthed: Drawings, Collages, Writings Victorian Pleasures: American Board and Table Games of the Nineteenth Century from the Liman Collection Impossible Picturesqueness Sexual Difference: Both Sides of the Camera
Reflection: Seven Years in Print - The LeRoy Neiman Center for Print Studies


Seven Years In Print: The Leroy Neiman Center For Print Studies

Faye Hirsch
Wallach Art Gallery, 2003
8 x 11", 80 pp., 45 illus., 30 in color
ISBN 1-884919-14-6, Paper, $25

The LeRoy Neiman Center for the Print Studies, since its foundation in 1996, has played an increasingly important role in the School of the Arts, Columbia University. As part of the Visual Arts Division, the most interdisciplinary division within the school, the center is used by emerging artists as a place to absorb historical information, to try new and innovative reproductive possibilities for image making, and to develop skill sets in various forms of reproductivity.

Printmaking is seemingly anachronistic in the age of digital reproduction yet artists, often perverse and critical by nature and demand, resist these easy assumptions and work against the premature dismissal or closure of artistic possibilities. The publication features artists and their works that have been created at the Neiman Center such as Eric Fischl, Lee Friedlander, Carl Fudge, Ellen Gallagher, Tim Gardner, Elliott Green, William Kentridge, LeRoy Neiman, Alexis Rockman, Kiki Smith and Sarah Sze.